For special occasions (in my case, pastoral installation), it is appropriate for a worship leader to include program notes for the hymns to be sung in a given service. The well trained church musician should be able to say some thoughtful words about both the hymn tune and its text. The model followed here is somewhat akin to that found in the program notes of a classical concert, although other models might be followed (background information, testimonial, etc.).
Regents of Our Lord and Savior. The
majestic hymn melody soars to heights, befitting the praise of the one who is
the king of heaven. Stressed notes of equal proportion lead to climatic final
declarations to conclude each verse. The tune is sometimes sung to other more
familiar texts. The text REGENTS OF OUR LORD AND SAVIOR is the text selected
for our service, and is especially meaningful to the Leonard’s since it is the alma
mater of Regent College’s (Vancouver) where Pastor Jim received his Master’s.
Be Thou My Vision. The Celtic text is ancient (Rop tú mo Baile) and is attributed to
the Irish monk Dallán Forgaill (c. 530-598). The tune is an Irish folk tune,
not published until the early 20th century, but now interlocked with the English translation of the ancient Celtic
text. This familiar hymn emphasizes Christ as the object of passionate
affection and devotion, and as a guiding light that consumes all else. Pastor
Jim claims this as his life hymn.
Great Is Thy Faithfulness. Full
of allusions to biblical texts, this favorite hymn borrows the theme of God’s
great promise of his enduring faithfulness and mercy from Jeremiah’s great
lament over Jerusalem’s destruction. The repeated text “Great is Thy
faithfulness” is a refrain that the members of First Baptist Church Grand Blanc
may claim as their own, given the Lord’s goodness and provision through 184
years of ministry, whether through seasons of celebration or seasons of
difficulty and lament. The hymn promises God’s continued faithfulness in the
coming years of ministry.
When He Shall Come. Full of chordal sequences that convey mystery and ecstasy, the
hymn text itself touches several scenes in the book of Revelation, including
the parade of “blood-washed overcomers” who welcome the Lord’s return and who
will “walk with him in white.” The Revelator writes, “Hallelujah! For our Lord
God Almighty reigns. Let us rejoice and be glad and give him glory! For the
wedding of the Lamb has come, and his bride has made herself ready. Fine linen,
bright and clean, was given her to wear...” (Rev 19:6-8). The climactic phrase
in the third line is breathtaking both musically and textually: “O may I know
the joy at his appearing...” Although the hymn gained popularity in the
mid-20th century, newer hymnals are not retaining it, and it is likely to be
soon forgotten, to the great loss of future congregations. The hymn is sung
today in honor of those who founded First Baptist Church Grand Blanc nearly 200
years ago, and to those who have sustained its ministry ever since. We long for
that day when we shall join those overcomers and walk with the Lord in white.
Guide Me, O Thou Great Jehovah. The
hymn and hymn tune both derive from Wales and have been closely associated with
the Welsh revivals of the late 19th and 20th centuries. The tune itself was
composed during a Baptist worship service. The lyricist composed many hymn
texts and was known as the “(Isaac) Watts of Wales.” The text is heavily laden
with biblical allusions and is well informed by a sound biblical theology. The
Christian life has as its model Israel’s pilgrimage out of Egypt to the
Promised Land, with a strong emphasis on God’s leadership and provision.
Specific to our situation, First Baptist Church may sing this hymn confident of
God’s divine guidance into this new era of ministry.
Wonderful Grace of Jesus. Given
its demanding bass melody and four-part harmonization, this famous hymn may not
be regularly sung on any given Sunday. Nonetheless, its robust musical lines,
paired with memorable text, and celebrative feel make it a most favored hymn
for special occasions, especially with a full house of singing congregants. The
chorus begins with the male voices making general pronouncements about the
grace of God, with the women echoing in like manner. The rolling and cascading melody
climaxes with a powerful doxological cadence: O magnify the precious name of
Jesus. Praise his name!
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